Jubilee was founded in May 1946 in New York City by Herb Abramson, who later went on to found Atlantic Records with Ahmet Ertegun. Abramson sold the label to Jerry Blaine in September 1947.
Jubilee was one of the first record companies to tap into the white record buying public with a black vocal group. In 1953 they recorded a country song, "Crying in the Chapel," by the Orioles. The record became a popular music top 20 hit. They were able to follow up in 1954 with "Marie" and "I Understand (Just How You Feel)" by the Four Tunes.
A subsidiary label called Josie was formed in 1954, which issued more up-tempo material. The label had major hits with "Speedoo" by the Cadillacs in 1956 and "Do You Wanna Dance?" by Bobby Freeman in 1958.
Both Josie and Jubilee had occasional hits in various styles in the '50s and '60s, but the company's main focus, at least in albums, seemed to be in specialty markets outside mainstream popular music. They issued an extensive line of "party" records, that is, comedy records of a risque nature. A staple of the label was Kermit Schafer's "Blooper" records, recordings of mistakes made on radio and television. Jubilee also distributed a label called Gross, whose sole artists were Doug Clark and the Hot Nuts, a group that was a favorite at college frat house parties and said to be the inspiration for the Otis Day and the Knights group in the movie Animal House. At the time, the Hot Nuts' material was off-color enough that Jubilee's name appeared nowhere on the Gross albums.
Of interest to rock and roll collectors are the fine albums by the Cadillacs (1045, 1089 and 5009), the Four Tunes' 12x4 (LP-1039), Bobby Freeman's three albums (1086, 5010 and Josie 4007), The Cadillacs Meet the Orioles (LP-1117), The Dubs Meet the Shells(Josie 4001), The Paragons Meet the Jesters (LP-1098) and The Delta Rhythm Boys in Sweden (LP-1022). There are also many very good compilation albums on both labels; the most collectable one is The Best of Rhythm and Blues (Jubilee LP-1014) which was pressed on red vinyl. The albums titled Rumble (LP-1114), Boppin! (LP-1118), and Whoppers! (LP-1119) are also desirable.
Songwriters Jeff Barry and Ellie Greenwich recorded as the Raindrops on Jubilee and issued one album, LP-5023. J. Frank Wilson and the Cavaliers had the maudlin hit "Last Kiss" on Josie and an album by the same name, Josie 4006. After leaving Motown, Mary Wells made one album on Jubilee (8018) but she had little success with the label. A very good New Orleans group, the Meters, made three albums on Josie (4010, 4011 and 4012). Near the end of the label, Jubilee issued the first album by Emmy Lou Harris calledGliding Bird (8031).
The original labels were pink with black lettering, followed with a blue label with silver printing. Neither the pink nor the blue labels mentioned "Jay-Gee Records." Some time in 1959, between album numbers 1103 and 1107, the following changes occurred: the label changed to the flat black label with silver print; the numbering prefixes changed from the JLP/SDJLP- to the JGM/JGS- prefixes; a notation began appearing on the back cover that Jubilee was "A Product of Jay-Gee Recording Co., Inc., A Division of the Cosnat Corp."; and the Jubilee logo changed from "jubilee/LP HI FI" in an oval to "jubilee/JG HI FI" in an oval. This new logo, used on the album covers, continued until the label's demise. Albums reissued after the changeover in 1959 were renumbered with the new prefixes and reissued with updated labels, and although the front album cover art was not usually changed, the back cover had a notation about "Jay-Gee Records" on the bottom.
Jubilee and Josie went out of business around 1970. The master tapes went to Roulette upon Jubilee/Josie's demise. When Morris Levy sold Roulette to Rhino in the late 1980s, the Jubilee/Josie masters became the property of Rhino. Reissue producer Bob Hyde made extensive forays into the Jubilee/Josie masters starting in the 1980s; many of the tapes had not been touched since they were recorded. As a result of his efforts, many of the Jubilee and Josie songs have been made available again on CD, some for the first time in true stereo.
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